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His undergraduate degrees are in Music and Astrophysics from Williams College, where he also received a fellowship for creative work, and his graduate degrees are in Voice and Conducting from the University of Michigan. Costantino also arranges, conducts, composes, acts, directs, teaches, does voice-overs, and is a digital recording engineer, all the while holding down a career as a User Experience Architect for Warner Music Group. Festooned with a liberal wit, a high metabolism, and a Type A streak, the stage is a natural outlet for his ridiculousness. and crafts solo recitals that mix them all up. He is equally adroit across the many operatic roles he has performed (Papageno to Pasquale to Tonio), his musical theater favorites (Lord Chancellor to Lancelot to Jesus), American song (Ives to Rorem to Hoiby), and jazz. He holds a Master's of Music in Vocal Performance from the University of Connecticut as well as a Bachelor’s in voice from the New England Conservatory of Music in Boston.Ī well-known bass-baritone in Connecticut, Michael Costantino’s singing spans a wide range of styles and roles. In addition to performing, Matthew is the assistant director of Liturgical Choir at Sacred Heart University, adjunct professor of voice at Southern Connecticut State University and a private piano teacher. Other performing credits have included Oronte in Alcina, Count Almaviva in Il Barbiere di Sivigla and Pedrillo in Die Entfuhrung aus dem Serail (HillHouse Opera) as well Ralph Rackstraw in The Sorcerer, Nanki-Poo in The Mikado and Alfred in Die Fledermaus (Trouper’s Light Opera). Matthew Cimino was last seen with the Norwalk Symphony as the smuggler Remendado in their production of Carmen.